Queen Of Rock – Tina Mania http://tinamania.com/ Fri, 03 Dec 2021 14:37:00 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://tinamania.com/wp-content/uploads/2021/07/icon-1-150x150.png Queen Of Rock – Tina Mania http://tinamania.com/ 32 32 It’s raining men at the opening of Boise’s Alley Rep, ‘Priscilla’, with big hair, glitter and killer soundtrack https://tinamania.com/its-raining-men-at-the-opening-of-boises-alley-rep-priscilla-with-big-hair-glitter-and-killer-soundtrack/ Fri, 03 Dec 2021 14:37:00 +0000 https://tinamania.com/its-raining-men-at-the-opening-of-boises-alley-rep-priscilla-with-big-hair-glitter-and-killer-soundtrack/ Alley Repertory Theater artistic director Buffie Main knew that after 20 months of darkness due to the pandemic, she had to do something special. “I chose a different first game of the season,” she said. “And then the longer COVID lasted, the more I knew joy should be at the heart of it.” So Main […]]]>

Alley Repertory Theater artistic director Buffie Main knew that after 20 months of darkness due to the pandemic, she had to do something special.

“I chose a different first game of the season,” she said. “And then the longer COVID lasted, the more I knew joy should be at the heart of it.”

So Main thought of “Priscilla, Queen of the Desert,” the hit Broadway and West End musical based on the iconic 2011 film. The score includes hits from The Village People, Pat Benatar and Cindy Lauper and anthems like “I Will Survive” and “It’s Raining Men”.

Main, along with one of the production co-stars Alley Rep, Jodi Eichelberger visited Morning Edition host George Prentice to talk about their vacation offer and its themes of unconditional love, family, d inclusion… and a disco soundtrack to beat the band.

“I think right now all any of us can do is seek joy, and if we can find it, then I think we’ve created something that we all needed. So, I am excited.

Buffie Principal

Priscilla Queen of the Desert: The Musical – Alley Rep promo video

Read the full transcript below:

GEORGE PRENTICE: This is the morning edition on Boise State Public Radio News. Hello. I am George Prentice. As we come out so cautiously from… well, now almost two years of a life without live, in-person entertainment, we’re more than a little anxious to see what we’re going to encounter. And oh my God, Alley Repertory Theater is coming back with quite a deal. Buffie Main is here, artistic director of Alley Rep and director of their brand new musical; and the ever-fabulous Jodi Eichelberger, who stars in the production, who is Priscilla, Queen of the Desert Buffie Jodi. Hello.

BUFFIE MAIN: Oh, hello. Thank you very much for having us. We are so excited to be here.

JODI EICHELBERGER: Hello.

PRENTICE: Ok, Buffie, how long has it been since Alley Rep’s been on the stage?

MAIN: It’ll be 21 months next week, so it’s a long time to be off the boards and to be dark. And we are. It was really powerful to be back, really happy and also… it’s not like riding a bike. So it was also a bit difficult to bring them together to put on a show.

PRENTICE: So let’s talk about it. How did it go … reemerge?

MAIN: You know, I would like Jodi to talk about this a bit. From an artistic director’s perspective, there are some really complicated things with COVID that have changed the rehearsal room and are changing the way actors can relate to each other and the way you think about when the rehearsal can take place. We extended the rehearsal process just in case someone got sick to create space for people who are not used to having a regular schedule with people. You know everyone’s been really isolated for almost two years so coming back with people in a rehearsal process has been an energetic shift for all of us and really good 93 percent of the time and the other percent of the time a little bit. overwhelming. And really, being with people as we reconnect has been part of the rehearsal process and it’s new and it’s all good but different.

EICHELBERGER: Yeah, my last gig was in February 2019, and as we started rehearsing for Priscilla and I realized that I hadn’t performed for probably a year or more. So the vocal cords, even we feel like I had to pull it out of a dusty corner and shake it. Fortunately, the singing returned quite quickly. It’s interesting a lot of our rehearsals, we wore masks. And so in some ways when we get to the rehearsal point where we were testing and the masks came off, it was almost like you were seeing the characters on the show rather than your fellow actors, because during the rehearsal the actors were eyes and eyebrows, and then suddenly you had mouths too. The other thing I think about is, you know, I get a little carried away. I don’t have that correct phrasing or this costume change didn’t go perfectly or I would like to do something different here. And I just realized from the response from some people in the audience, this is the first thing I’ve been to in almost two years, and it was amazing to be with a bunch of people again. and to experience that, you know, these other things seem a lot more insignificant than they maybe before when we took going to the theater for granted. And now it just means more.

PRENTICE: The worst kept secret in this city is how much of a theater nerd I am… surpassed only by my love of cinema. Thus, Priscilla, Queen of the Desert, was a revolutionary film. But Buffie, there might be a few people who might not know the story, so in 30 seconds or less tell us the story.

MAIN: So the 2011 musical takes the film very closely, which is the story of three friends crossing the desert in a crazy bus to find one of the twitchy characters, family, and along the way they meet again. .

PRENTICE: Jodi, this is the soundtrack of all time. I mean, the 70s. The 80s?

EICHELBERGER: Yes. In fact, just today, it’s kinda crazy. The official The Village People Facebook page just shared the production of The Alley Representative because we feature their song Go West on the show and seeing us mentioned on The Village People’s social media is truly surreal.

PRENTICE: Jodi, drop some titles. Tell the audience some of the songs.

EICHELBERGER: We have some Pat Benatar: “We belong”, we have Cyndi Lauper. We have “I Will Survive”.

MAIN: “It’s raining men. “

EICHELBERGER: Yeah, the audience’s got their arms up and they’re moving them around and clapping and. Smile and so it’s a really different experience to play a lot of different music, you know, from all kinds of sources and put it into a story.

PRENTICE: Buffie, your security protocols aren’t much different from the newer Broadway protocols, are they?

MAIN: We are checking vax at the door. We ask people to wear masks. And one of the things that our board of directors decided is that we believe that the theater in the future will have some of these security protocols for a long time, and we want to ensure the safety of our artists and our public. And so let’s go. Let’s check the door. Let’s put on our masks and enjoy the show. And at the end of the day, if someone gets sick for a show like Ali Rep, it’s going to be really hard on us. So that’s going to potentially make the show go away. And so it’s worth taking precautions, both because that’s what we want for each other in our community, but also what’s needed to make the game happen.

PRENTICE: You opened on Thanksgiving weekend. How was it ? It was probably more than just opening another show.

EICHELBERGER: Well, seeing the weird gathering was pretty special and there was a different energy there. Just feeling this is the first time many of these people have experienced something together. I mean, it was also very stressful for us because there are so many elements in this show. I think one of the interesting things about it and you know Buffy asks me for my opinion sometimes, but not always. I probably would have told him that this show was too big, you know, because for the group stage of this house, it’s just such a big show. But what happens with that is you experience a great show in an intimate way, which is so fascinating. And I think that’s part of why there are so many loads in the room because it’s like everyone’s front row seats at their favorite rock shows. It’s fair and you and you can feel it on stage too. While on a big Broadway stage, you know, there’s a big distance between you and the audience. I mean, you feel their energy, but that feeling that that energy was was very different.

PRENTICE: I saw the show in New York City, and like Jodi said, it was huge. I didn’t know there was so much glitter in the world. Did you just imagine that in your mind at Alley Rep?

MAIN: You know, I picked a different season opener; and then the longer COVID lasted, the more I knew it would be important for joy to be at the heart of it. And so what’s cool about Ali Rep and Boise, where it is right now, is that we have this plethora of incredibly talented people. And when you bring them together, the magic happens. And that’s all I knew. I knew we had the talent to do this show. It’s more complex for us in the context of costumes, makeup and music than we’ve ever done before. And so I always push Ali up this way. And on this one, I think I definitely pushed us on the bus. So I recognize him. But I think what happens when we challenge each other during this time is we keep creating more and we keep creating better. So I’m excited about what’s going on because the chorus sound is amazing. The costumes are so creative. There is a lot of glitter and there is crazy hair. You’ve never seen hair like that on stage, both in wigs and in real life. I think it’s magic and it hits exactly where we needed it to. I think right now all any of us can do is seek joy, and if we can find it, then I think we’ve created something that we all needed. So I am excited.

PRENTI: Okay. Give us the program of the performances. What are the dates in December?

MAIN: Ok so we’ve opened up Thanksgiving week and now we’re back on stage on Thursday December 9th. We run this weekend, 9, 10 and 11, then the following weekend, 16, 17, 18, and we close on December 19. It’s a Sunday morning. So, just in time for everyone to put on their holiday costume and sing holiday songs, so we’ll take you through Christmas week.

PRENTICE: Yes, it’s a family show, Jodi. It is certainly a family. It’s about relationships and what. We have what we think we have lost and what we find again.

EICHELBERGER: Yes it is. And you know, a lot of them are very contemporary too. And when I play a character, I have to find things that I have in common with that character to use as a resource. And you know, there’s a very poignant part of the show where my character says to another, you know, the city is dangerous, but that’s but that’s where we’re safe. And I have to say that even in Idaho today, my husband and I don’t feel entirely safe traveling to more remote areas of our own state. And so it’s not a problem that’s buried in the past. It’s not. It’s always a concern for LGBTQ people as well as where can we be, where can we be ourselves? Where can we show our true colors?

PRENTICE: This is Jodi Eichelberger, costar in Priscilla, Queen of the Desert. This is Buffie Maine, production manager and artistic director of Alley Rep. Happy holidays, guys, and happy racing.

EICHELBERGER: Thank you very much.

PRINCIPAL: Thank you, Georges. We love your hidden theater secret. Your secret is safe with us.

Find journalist George Prentice on Twitter @georgepren

Copyright 2021 Boise State Public Radio



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Tom Nash: He loved his family, dancing, the Seahawks – and loved traveling https://tinamania.com/tom-nash-he-loved-his-family-dancing-the-seahawks-and-loved-traveling/ Wed, 01 Dec 2021 22:04:36 +0000 https://tinamania.com/tom-nash-he-loved-his-family-dancing-the-seahawks-and-loved-traveling/ Tom nash Thomas mathew nashMarch 4, 1966 – November 2, 2021 Thomas Mathew Nash, “Tom”, 55, of Edmonds, passed away at home on November 2, 2021 surrounded by love from his daughters, Amia and Monica and his wife, Mari, and close friends by his side. Tom was born March 4, 1966 to Dennis Nash and […]]]>
Tom nash

Thomas mathew nash
March 4, 1966 – November 2, 2021

Thomas Mathew Nash, “Tom”, 55, of Edmonds, passed away at home on November 2, 2021 surrounded by love from his daughters, Amia and Monica and his wife, Mari, and close friends by his side.

Tom was born March 4, 1966 to Dennis Nash and Julie Carrera in Queens, NY. Tom grew up in Seattle, where he graduated from O’Dea High School, class of 1984.

He joined the US Navy in 1985 and was sent to return to service the battleship USS Missouri BB-63 at Long Beach, California. He served on the Battleship Missouri for over three years, traveling around the world. During the last few months in the Navy, the battleship visited Vancouver, British Columbia, where Tom met Mari. She ended up moving to Edmonds to attend college, their love took off and they were married in the courthouse six months later. They were married again at a high church mass in Vancouver in June 1990, in front of all their family and friends.

Tom attended North Seattle Community College, Edmonds Community College, and transferred to the University of Washington. He graduated in 1993 as a Hispanic student with a bachelor’s degree in finance. Tom went on to work in financial aid at several community colleges, worked with Farmer’s Insurance and eventually found his calling as a property manager at WPI Real Estate. He started his own business, Pacific Northwest Real Estate Holdings, later becoming Nash Property Management in 2002. It was his love, providing quality property management services to local owners. He has wonderful coworkers, including his forever furry sidekick, his seven-pound Yorkie, Milo. Milo joined him in all his professional adventures in the trusty brown bag. Tom was an extremely hard worker, dedicated and determined to support his family and give them the life they deserved.

Tom and Mari settled down and enjoyed raising their daughters in Edmonds. Tom was the epitome of a father. He loved every moment of playing football, leading the Girl Scout troop, dancing with Monica’s dance group, attending and cheering all the sports at Edmonds-Woodway High School, watching Amia go to the State for basketball, being a dad to the queen as the daughters came home to the queens, Amia (2011) and Monica (2012), and being that super proud dad at their graduation days. The girls are grown up and live in San Francisco but he stayed close and always took time for them. Tom was so immensely proud of his daughters.

Tom loved to dance! He loved listening to all kinds of music, techno, classic rock, smooth jazz, and of course 80s rock. He couldn’t stand still if there was good music. He honestly had the music bouncing in his bones. Perhaps this is the reason why his very specific dance moves were unique and memorable for anyone who had the honor to witness and dance with him. Tom made everything family-related first. He cherished the holidays with the Nash-Trick family in Bainbridge, creating silly traditions with his sisters, Meghan and Katie. He often called his in-laws, Dr Constante Acob and Mila Acob, on the phone to have long evening conversations. He was a foodie and really loved Mom’s Filipino pork adobo, pancit, lumpia, and garlic rice. He and his mother, Julie Carrera, were known to play cards and board games competitively. They shared two special days together – their birthdays and Veterans Day. They spent those days running around looking for restaurants that offered free meals.

Tom lived for concerts, especially those at Chateau Ste. Location Michelle. He also enjoyed playing soccer, swimming, going to the local theater, practicing Zumba classes, taking long walks on the beach, tasting wines in different wine cellars, hanging out with friends on Friday nights during happy hours. , sip local ciders and indulge in Jamison and Cokes, inner tubes on Washington’s rivers, tip street musicians, drink double iced lattes, take kayak / boat rides, and watch the sunsets. Husband loved the opportunity to dress Tom up for any themed event. He always conceded in his clever costume antics.

He also had a taste for travel. He loved going to Canada to visit our family and friends. He lived for vacations and parties. Christmas traditions that Tom loved included crazy gift openings with gift wrap tossed in the air, laughter, and total Acob mayhem. He enjoyed the annual trips to Little Shuswap Lake with his best friends, Mike, Michelle and Lauren. At the cottage, he would swim in the lake, take long, brisk walks on the Sea-Doo, go out on the speedboat to water ski and tubing. Tom often followed Mari on his travels around the world. Again, he always stopped to smell the flowers and enjoy the sunsets wherever he came from.

Go hawks! Tom lived for the Seattle Seahawks. He wasn’t just a fan. He was truly a fanatic. He has supported the team through good and bad seasons. He started his fandom at Kingdome, Husky Stadium and now Lumen Field. He was uncompromising, painted his face, sat in the rain, hail, power cuts, snow and every year he took off his shirt for his annual 40 degree “painted chest” match. with Amia. He attended two Super Bowls for the Seahawks and his last support for Monica when she cheered on the 49ers at the 2020 Superbowl in Miami. He just lived for NFL football.

Tom was diagnosed with pancreatic cancer in May 2021. He started his to-do list and lived every moment of the moment, and he battled the disease with the most incredible grace, bravery and strength. Everyone knew he had done it for his daughters, Amia, Monica and especially for his wife, Mari. He lived every day with positivity and determination not to let illness stop him from doing the things he loved.

Everyone who knew Tom knew that he was an extremely kind, loving, happy and cheerful person, and that he loved his family very much. He is known for his strong but gentle bear hugs. If you were the recipient of her hug, you automatically had a great day. Tom is survived by his wife Mari, his daughters Amia and Monica (San Francisco, CA), his mother Julie Carrera, his sisters Meghan Nash and Katie Nash, Milo and all his family and best friends in Washington State and in Canada. He will remain in their hearts forever and will be sadly missed every day.

We thank you all very much for the flowers, gifts, meals, hugs, emails, texts and social media posts. All of this touched our hearts and offered us comfort during this time of desperation. We are asking instead of all of this in the future to donate to a scholarship fund in honor of Tom for underrepresented youth in the Edmonds School District applying to community college. Donate on the Edmonds School District Foundation website – indicate in the comments box that it is the Tom Nash Memorial Bursary.


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Barbados says goodbye to the Queen and turns into a republic https://tinamania.com/barbados-says-goodbye-to-the-queen-and-turns-into-a-republic/ Tue, 30 Nov 2021 05:30:05 +0000 https://tinamania.com/barbados-says-goodbye-to-the-queen-and-turns-into-a-republic/ San Juan, Puerto Rico Barbados ceased pledging allegiance to Queen Elizabeth II on Tuesday as it lost another vestige of its colonial past and became a republic for the first time in history. Several leaders and dignitaries, including Prince Charles, attended the ceremony which began Monday evening in a popular square where the statue of […]]]>

Barbados ceased pledging allegiance to Queen Elizabeth II on Tuesday as it lost another vestige of its colonial past and became a republic for the first time in history.

Several leaders and dignitaries, including Prince Charles, attended the ceremony which began Monday evening in a popular square where the statue of a famous British lord was removed last year as part of a global campaign to erase symbols of oppression.

Fireworks dotted the sky at midnight as Barbados officially became a republic, with screens set up across the island so people could watch the event which featured an orchestra with over 100 steel players pan and many artists. It also aired online, sparking a flurry of enthusiastic posts from Bajans living in the United States, Canada and beyond.

“Happy Independence Day and freedom everyone,” wrote one viewer.

The drive to become a republic began over two decades ago and culminated when the island’s parliament elected its very first president last month by a two-thirds majority. Barbados Governor General Sandra Mason was due to be sworn in before dawn Tuesday as the island marked its 55th independence from Britain.

Mason, 72, is a lawyer and judge who has also served as ambassador to Venezuela, Colombia, Chile and Brazil. She will help Prime Minister Mia Mottley rule the wealthy Caribbean island of more than 300,000 people that depends on tourism, manufacturing and finance.

Barbados did not need UK permission to become a republic, although the island will remain part of the Commonwealth Kingdom. It is an event that the Caribbean has not seen since the 1970s, when Guyana, Dominica and Trinidad and Tobago became republics.

Barbados became independent from the United Kingdom in November 1966, more than three centuries after the arrival of English settlers, and transformed the island into a wealthy sugar colony based on the labor of hundreds of thousands of African slaves.

In recent decades, the island has started to distance itself from its colonial past. In 2005, Barbados abandoned the London-based Privy Council and chose the Trinidad-based Caribbean Court of Justice as its final court of appeal. Then in 2008, he proposed a referendum on the question of becoming a republic, but it was postponed indefinitely. Last year, Barbados announced its intention to cease being a constitutional monarchy and removed a statue of British Vice Admiral Horatio Nelson from National Heroes Square, the venue for the event to celebrate becoming a republic. .

Barbados’ flag, coat of arms and national anthem will remain the same, but some references will change, according to Suleiman Bulbulia, a columnist for Barbados Today. He wrote that the terms “royal” and “crown” will no longer be used, so that the Royal Barbados Police will become the Barbados Police Service and “Crown lands” will become “Crown lands”. ‘State “.

“This is the start of a new era,” he wrote. “Any Barbadian can now aspire to be our head of state. “


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Review of “The Velvet Queen”: A Bewitching and Tranquil Nature Document https://tinamania.com/review-of-the-velvet-queen-a-bewitching-and-tranquil-nature-document/ Sun, 28 Nov 2021 07:55:00 +0000 https://tinamania.com/review-of-the-velvet-queen-a-bewitching-and-tranquil-nature-document/ Slender and slender figure in spotted silvery blond, the snow leopard is one of the great haughty glamazons of the animal kingdom – a status aptly recognized in the English title of “The Velvet Queen”, the unexpected pretty screen of French docmaker Marie Amiguet ode to the little-seen feline. (The original French title is rather […]]]>

Slender and slender figure in spotted silvery blond, the snow leopard is one of the great haughty glamazons of the animal kingdom – a status aptly recognized in the English title of “The Velvet Queen”, the unexpected pretty screen of French docmaker Marie Amiguet ode to the little-seen feline. (The original French title is rather more prosaic “La panthère des neiges.”) However, if the title implies the naturalistic equivalent of the cult of the diva, the film’s approach surprises us, focusing less on the hairy glare of the snow leopard in its natural Tibetan. habitat than on the very act of looking at nature in the first place. Joining two compatriots – leading wildlife photographer Vincent Munier and adventurer Sylvain Tesson – on an arduous hike to spot the beast, the doc thinks thoughtfully about the conflicting nature of a one-sided relationship between observer and observed.

More arthouse than Animal Planet, with a little atmospheric score by Nick Cave and Warren Ellis, this next Oscilloscope release (which premiered in Cannes’ new eco-conscious program) should find a dedicated audience without becoming a “My Octopus Teacher” level Phenomenon. It is suspected that his distant subject will not care. Man, after all, is the primary reason the queen in question has become so elusive, as poaching and environmental destruction has reduced the Asian snow leopard population to critically endangered levels. And with the man, in turn, having subsequently granted him some sort of mythical status for this rarity, “The Velvet Queen” tacitly wonders what the cat owes to its human admirers.

It is this ironic and self-effacing consciousness that lends an endearing chimerical air to the quest of Munier and Tesson, and that separates the film from the nature documentaries more clearly focused on the spectacle of its ilk. On the one hand, Amiguet – a first-time director who has already shot the 2016 wolf-themed, wolf-focused documentary ‘The Valley of the Wolves’ – has little interest in the iridescent and awe-inspiring aesthetic gloss so popular in his genre. There is no magical varnish applied to the incredibly rugged taupe-hued landscapes of the Tibetan highlands, the considerable beauty of which nevertheless does not require framing.

Rather, it is a seemingly barren landscape that demands patience on the viewer’s part, its multiple life forms revealing themselves slowly and subtly, often in clever camouflage. Munier and Shard learn as much, as their repeatedly frustrated journey to find the Snow Leopard yields further discoveries and points of fascination along the way, provided they adapt to the rhythm of their surroundings. “It was a prayer to wait,” observes Munier, in a sometimes eccentrically abstract voice-over that he co-wrote with the director. “If nothing came, we just hadn’t examined it properly. “

And so, audiences learn to look the same, reveling in other sights, sounds, and life forms not foretold by the title, as the eponymous monarch keeps us waiting. A lingering gaze on a Tibetan antelope, or a more fleeting gaze on the supple and eternally scowling Tibetan fox, is its own reward; even a tiny orange-breasted lark becomes majestic under the collective gaze of the filmmakers, who gradually drink in an entire ecosystem. Humanity is not entirely neglectful either, as Munier and Tesson’s relationships with the locals – adults and children alike, who do not otiate their native fauna in the same way – represent some of the most important elements. more spiritual of the film.

But what about the leopard? After several near-accidents and cold tracks, our explorers are beginning to accept that he may have escaped them. “Not everything was created for the human eye,” says Munier. That would be a take-away point from the exercise, although “The Velvet Queen” isn’t so stark or perverted that it keeps us from shutting down, and with a first glimpse of a tail cowering shyly behind a rock formation, the fat cat finally gets the input of a real screen siren. She’s gorgeous, sure, but at that point, she’s part of her weird and alluring surroundings. Amiguet’s elegant and unusual documentary shifts the role of the game watcher from that of a nonviolent hunter – in pursuit of a prized target – to a passive but duly open-minded observer, accepting but also appreciating the limits of our access.


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Thousands Sign Petition Against ‘Blasphemous’ Philly Drag Show, FringeArts Holds Up https://tinamania.com/thousands-sign-petition-against-blasphemous-philly-drag-show-fringearts-holds-up/ Fri, 26 Nov 2021 18:00:56 +0000 https://tinamania.com/thousands-sign-petition-against-blasphemous-philly-drag-show-fringearts-holds-up/ “Jesus Drag Superstar” features Martha Graham Cracker and students from Paul Green Rock Academy. Harry Bricklin / Courtesy of Paul Green ?? Do you like Philly? Sign up for the free Billy Penn newsletter to get everything you need to know about Philadelphia every day. An online petition with nearly 20,000 signatures started by a […]]]>

“Jesus Drag Superstar” features Martha Graham Cracker and students from Paul Green Rock Academy.

Harry Bricklin / Courtesy of Paul Green

?? Do you like Philly? Sign up for the free Billy Penn newsletter to get everything you need to know about Philadelphia every day.


An online petition with nearly 20,000 signatures started by a Christian author will have no effect on a planned Philadelphia show called “Jesus Drag Superstar,” according to FringeArts and the artists involved.

The event, scheduled to take place December 17-18 at the FringeArts Theater on the Delaware River waterfront, features Philly’s famous Martha Graham Cracker drag cabaret, supported by 30 music students from Paul Green Rock Academy .

Both show dates were already “virtually sold out,” said Paul Green, when the movement calling for their cancellation caught his attention on Wednesday.

He spent the morning sending the petition to families on the show and got what he described as “universal laughter” in response. Green, a 49-year-old musician who founded the School of Rock in 1998, expected no less. “We have very cool parents,” he said.

“Honestly,” Green added, noting that he was born Jewish and raised Catholic, “I think Jesus would love this show.”

The online petition, which lives on the “Back to Order” website run by conservative writer John Horvat II, appears to disagree. It reads, in part:

This performance is a blasphemous insult to Our Lord Jesus Christ. Christ, who is chastity par excellence, is represented by someone who flaunts impurity and blurs the lines of man and woman. It’s too much!”

Green has confirmed that drag queen Dito van Reigersberg, who plays Martha Graham Cracker, will play the title role on the FringeArts show: “We thought he would be perfect in Jesus!”

Some songs from “Jesus Christ Superstar” will be presented in collaboration with his students, he said, but this is not a complete interpretation of rock opera. A 1971 Andrew Lloyd Webber musical, the play is loosely based on the Gospels description of the days leading up to the Crucifixion. It has won dozens of awards and is still being performed around the world.

That young people are invited to the FringeArts show seems particularly horrifying to the petitioners, who note that “even innocent children can be allowed to enter this abomination!”

Horvat, who publishes the “Return to Order” site, is vice president of the American Society for the Defense of Tradition, Family, and Property. Founded in the 1970s as an offshoot of a Brazilian group, the American TFP has ties to the religious and political right and sponsored the Conservative Political Action Conference.

His anti-“Jesus Drag Superstar” petition, which warns its readers to “beware of visiting” the FringeArts website, rose from more than 17,000 signatures on Wednesday to over 19,000 on Friday.

Although the organization is national in scope, it is headquartered in Spring Grove, Pennsylvania, approximately 100 miles west of Philadelphia.

Despite the proximity, FringeArts isn’t too concerned about the disruption to the show.

“We have no plans for additional security at this time. [and] do not plan to make any adjustments to our programming at this time, ”said spokesperson Claire Frisibie, adding that she would continue to monitor the situation over the next two weeks.

“FringeArts has presented Martha Graham Cracker Cabaret shows for years now, and they’re still audience favorites,” Frisibie said. “We are delighted to welcome the students of Paul Green Rock Academy back to FringeArts for this special collaboration. “


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Coffee shacks, Holey Rock and ice cream – it’s all in a new book about Sunderland’s Roker and Seaburn https://tinamania.com/coffee-shacks-holey-rock-and-ice-cream-its-all-in-a-new-book-about-sunderlands-roker-and-seaburn/ Thu, 25 Nov 2021 04:58:31 +0000 https://tinamania.com/coffee-shacks-holey-rock-and-ice-cream-its-all-in-a-new-book-about-sunderlands-roker-and-seaburn/ Philip Curtis and Alan Brett included 250 photos in their latest post on everything from the formation of Roker Pier to the popularity and demise of Holey Rock. Alan explained part of the story avid readers will find in Black Cat Publications’ book. There is John Richardson who “rented bathing machines and swimsuits as well […]]]>

Philip Curtis and Alan Brett included 250 photos in their latest post on everything from the formation of Roker Pier to the popularity and demise of Holey Rock.

Alan explained part of the story avid readers will find in Black Cat Publications’ book.

There is John Richardson who “rented bathing machines and swimsuits as well as tea from his cafe located in a wooden cabin on the beach.”

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Newsletter cut through the noise

The new book on Roker and Seaburn.

He had “a lucrative business selling sand on the beach which was kidnapped by horse and cart.”

The book also looks at Roker Pier which was opened by the Earl of Durham to a huge crowd on September 23, 1903.

Cat and dog steps are a favorite spot for bathers, but building the boardwalk came at a cost, Alan said.

“Much of the Cannonball Rocks has been removed or covered by the new ball.

An 1890s view showing Richardson’s coffee and bath machines.

“Holey Rock – named after the caves that ran through it – was popular with locals and visitors alike. When falling rocks made the caves unsafe, the caves were walled up, and in 1936 the Holey Rock was demolished.

Nearby, the Pierrot and Biddlecombe Jumbles troops have entertained crowds in the last century. Later, tea dances and refreshments attracted visitors.

The two Roker Parks are featured in the book – the football pitch and the public park with its tennis courts, bowling green, pond and bandstand.

The illuminations are presented such as Snow White and the Seven Dwarfs by Walt Disney.

A sunny summer day at the cat and dog steps.

Alan added: “This year’s Festival of Light saw a funfair on Cliff Park which included an observation wheel and roundabouts. A more permanent landmark on Cliff Park is Bede’s Cross, first unveiled in 1904, although it was dismantled and rebuilt twice during World War I and WWII.

Alan added: “Benedetto Notarianni and Leonello Guidi were the first to open ice cream parlors and cafes at Queen’s Parade in Seaburn in the 1930s. This paved the way for the development of Seaburn with a hotel, an exhibition center, a boating lake and a miniature railway following in the footsteps of the two Italian ice cream pioneers.

Seaburn Hall, owned by the Council, was a popular dance venue and attracted the best groups of the time.

“Outside of times when they were off-limits in wartime, Roker and Seaburn beaches have also attracted large numbers of visitors.

The Cannonball Rocks before the construction of the promenade.

“In the old days, seaside cafes were busy even if it was only to sell hot water to customers to make their own tea. In Roker, the Bungalow Café has survived (with the name reversed) while its neighbors the North of England Café and the Beach Café are long gone.

“At Seaburn, the Queen’s Café is always open unlike those of the Guidi, Pompa, Just, Atkinson and Metcalfe families. While Notarianni is also now

Closed, the Minchella family, linked to them by marriage, still serve ice cream and fish and chips in, appropriately, one of Notarianni’s former premises.

Roker and Seaburn is available from the Sunderland Museum, Sunderland Antiquarian Society, Fulwell Post Office, Clay’s Garden Center, and www.summerhillbooks.co.uk. Price £ 4.99.

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Sara Butterfield with her family and friends on the beach with their tents in the 1920s.

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Children playing in front of John Richardson’s premises on Roker Bathing Sands.
An illuminated gondola at Roker Park.
Bede’s Cross shortly after it was erected on Cliff Park in 1904.
The cover of the new book.


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“Weird Al” clarifies that Kid Rock’s new video is not his parody https://tinamania.com/weird-al-clarifies-that-kid-rocks-new-video-is-not-his-parody/ Tue, 23 Nov 2021 14:32:14 +0000 https://tinamania.com/weird-al-clarifies-that-kid-rocks-new-video-is-not-his-parody/ “Weird Al” Yankovic wants fans to know Kid Rock’s video for “Don’t Tell Me How to Live” – ​​the performer of “Bawitdaba” and Joe dirt the actor’s new song that denounces “snowflakes”, slams culture and invokes the First Amendment – is not one of his parody clips. You know, lest it be thought that Kid […]]]>

“Weird Al” Yankovic wants fans to know Kid Rock’s video for “Don’t Tell Me How to Live” – ​​the performer of “Bawitdaba” and Joe dirt the actor’s new song that denounces “snowflakes”, slams culture and invokes the First Amendment – is not one of his parody clips.

You know, lest it be thought that Kid Rock’s latest entry featuring members of the band Monster Truck is a humorous approach akin to Yankovic’s past rock and pop pastiches of popular artists and songs like “Smells Like Nirvana “,” Eat It “and” Amish Paradise “, among others.

“Don’t Tell Me How to Live” was released last week and combines Kid Rock’s rap style with gritty guitar backing, reminiscent of the sound that first made him known 20 years ago. His lyrics refer to other Kid Rock songs while also taking pictures of things that seem to cloud his world view.

“A nation of cats is our next generation!” Rock takes over in the song. “And these minions and their agendas / Every opinion has an offended millennia / But this amendment one, it rings true.”

In the accompanying video, Jon Harvey of Rock and Monster Truck smokes cigars as they trade on vocals. Things then took a surreal turn when Rock exploded out of this world, hanging on a giant middle finger statue, propelling his journey to another place. (If you haven’t seen the video yet, you can watch it below.)

But is it really so far-fetched that some thought it was a “Weird Al” original?

Monday (November 22), Yankovic tweeted, “To all those who are congratulating me right now on my new Kid Rock parody video, let me clarify – it’s not me. It’s actually Kid Rock.”

Well, that clarifies that. See how some fans reacted on Twitter below.

Kid Rock, “Don’t Tell Me How to Live” video

The 40 best covers of rock bands



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Elton John once admitted he thought Madonna’s “Die Another Day” was the worst James Bond song of all time https://tinamania.com/elton-john-once-admitted-he-thought-madonnas-die-another-day-was-the-worst-james-bond-song-of-all-time/ Sun, 21 Nov 2021 22:41:57 +0000 https://tinamania.com/elton-john-once-admitted-he-thought-madonnas-die-another-day-was-the-worst-james-bond-song-of-all-time/ Elton John and Madonna have been in a long running rivalry. The rocket man the artist usually said what he thought of the queen of pop on a given day with little filter. This has led to back and forth between the two at times despite the couple being good friends. But there was a […]]]>

Elton John and Madonna have been in a long running rivalry. The rocket man the artist usually said what he thought of the queen of pop on a given day with little filter. This has led to back and forth between the two at times despite the couple being good friends.

But there was a time after Madonna’s hit James Bond song, Die another day, came out where John couldn’t hide his distaste for the theme. And that’s also an opinion others have shared about the song.


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WWE Survivor Series Battle Royal to commemorate the Rock’s debut announced https://tinamania.com/wwe-survivor-series-battle-royal-to-commemorate-the-rocks-debut-announced/ Sat, 20 Nov 2021 03:49:00 +0000 https://tinamania.com/wwe-survivor-series-battle-royal-to-commemorate-the-rocks-debut-announced/ A 25-player dual-branded Battle Royal has been announced for Sunday’s WWE Survivor Series pay-per-view. Sonya Deville announced the Battle Royal during tonight’s SmackDown edition of the Survivor series, noting that the 25-man fight will commemorate 25 years since The Rock made their WWE debut in the 1996 Survivor series. WWE has noted that the winner […]]]>

A 25-player dual-branded Battle Royal has been announced for Sunday’s WWE Survivor Series pay-per-view.

Sonya Deville announced the Battle Royal during tonight’s SmackDown edition of the Survivor series, noting that the 25-man fight will commemorate 25 years since The Rock made their WWE debut in the 1996 Survivor series.

WWE has noted that the winner of the “High Stakes Battle Royal” will gain brand supremacy for their show. Interestingly, 14 RAW Superstars have been announced for the game, while 11 SmackDown Superstars have been confirmed. The following participants have been announced:

* RAW: AJ Styles, Omos, Otis, Chad Gable, Dolph Ziggler, Robert Roode, Shelton Benjamin, Cedric Alexander, Apollo Crews, Commandant Azeez, Montez Ford, Angelo Dawkins, R-Truth, T-BAR

* SmackDown: Cesaro, Ricochet, Mansoor, Sami Zayn, Angel, Humberto, Jinder Mahal, Shanky, Erik, Ivar, Drew Gulak

The 2021 WWE Survivor Series pay-per-view will take place on Sunday, November 21 at the Barclays Center in Brooklyn, New York. Below is the updated map:

Traditional 5v5 Survivor Series Elimination Match
Team RAW (Bobby Lashley, Austin Theory, Finn Balor, Kevin Owens, Seth Rollins) vs. Team SmackDown (Drew McIntyre, Jeff Hardy, King Xavier Woods, Happy Baron Corbin, Sheamus)

Traditional 5v5 Survivor Series Elimination Match
Team RAW (Bianca Belair, Liv Morgan, Carmella, Queen Zelina Vega, WWE Women’s Tag Team Champion Rhea Ripley) vs. Team SmackDown (Sasha Banks, Shotzi, Natalya, Shayna Baszler, Toni Storm)

Champion vs. Champion
WWE Big E Champion vs. WWE Universal Champion Roman Reigns

Champion vs. Champion
RAW Women’s Champion Becky Lynch vs. SmackDown Women’s Champion Charlotte Flair

Champions vs. Champions
RAW Tag Team Champions Randy Orton and Riddle vs. SmackDown The Usos Tag Tag Champions

Champion vs. Champion
WWE United States Champion Damian Priest vs. WWE Intercontinental Champion Shinsuke Nakamura

25-man double-branded battle royal to commemorate the 25th anniversary of The Rock’s WWE debut
AJ Styles, Omos, Otis, Chad Gable, Dolph Ziggler, Robert Roode, Shelton Benjamin, Cedric Alexander, Apollo Crews, Commandant Azeez, Montez Ford, Angelo Dawkins, R-Truth, T-BAR, Cesaro, Ricochet, Mansoor, Sami Zayn , Angel, Humberto, Jinder Mahal, Shanky, Erik, Ivar, Drew Gulak


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Queen Sugar’s Nicholas Ashe on Coming Out and Micah’s Queer Story https://tinamania.com/queen-sugars-nicholas-ashe-on-coming-out-and-micahs-queer-story/ Wed, 17 Nov 2021 00:16:48 +0000 https://tinamania.com/queen-sugars-nicholas-ashe-on-coming-out-and-micahs-queer-story/ Sugar queen Nicholas Ashe had no intention of making a political statement when he and his then-boyfriend, actor Justice Smith, revealed their relationship in the summer of 2020. Smith, best known for his roles in blockbusters like Pokémon Detective Pikachu and Jurassic Park: Fallen Kingdom, took to Instagram to denounce the lack of solidarity and […]]]>

Sugar queen Nicholas Ashe had no intention of making a political statement when he and his then-boyfriend, actor Justice Smith, revealed their relationship in the summer of 2020. Smith, best known for his roles in blockbusters like Pokémon Detective Pikachu and Jurassic Park: Fallen Kingdom, took to Instagram to denounce the lack of solidarity and support for the LGBTQIA community he witnessed during a Black Lives Matter protest in New Orleans. At the time, 26-year-old Ashe was filming the fifth season of the critically acclaimed OWN series, Queen Sugar.

Smith then declared his love for Ashe in a series of photos, including one kissing. He said of Ashe: “You have been my rock and my guide of light through it all and I love you so much. I know on the other side there is change even though the fight is far from over.

Ashe, who plays the sensitive and socially conscious Micah West in Sugar queen, admits that until now, his own engagement on social media has been mostly limited to professional ability. “My Instagram is mostly made up of posts that say, ‘Look Sugar queen. Don’t forget to watch Sugar queen“says Ashe Oprah Daily. In one day, his personal life was in the headlines.

queen sugar - ep 604

In the last season of Sugar queen, Ashe’s character embarks on a journey that looks a lot like hers.

Pass Bolen

Even with the mostly positive feedback on social media, Ashe was aware of the risks and reality of being an openly queer black man. “RuPaul said he was rejected by whites because he was black, hated by blacks because he was gay, and he was hated by gays because he was too feminine. It really resonated with me. In high school, the worst thing you could be was gay. “You are known. “It was the pejorative they were using,” he says.

Ashe credits her mother, who died in October 2020, with a constant and stabilizing force in her life while also coming to terms with her sexuality and sharing it publicly. Two months after the first post, Ashe posted her own birthday tribute to Smith: “Justice, you’ve been the maker of all my recent smiles.”

Below, Ashe shares his journey to queer liberation and how he hopes his honesty and authenticity will be a beacon for other queer black men, both through his personal example and his art.


After seven years playing in OWN’s Queen Sugar, fans know me as Micah West. But until last summer, I kept the real Nic Ashe hidden from the public. So people were surprised when last summer I showed part of myself … and inadvertently stepped out in an Instagram post.

When my then-boyfriend Justice Smith shared photos of us at a Black Lives Matter protest in June 2020, I thought, “I’m posting with my boyfriend doing the work of the Lord in these streets. ” But sometimes I can be oblivious. It was my first time posting someone I loved in this way, with such privacy. Honestly, I didn’t expect the post to go viral, the internet to explode, for magazines to contact me and ask me to comment. I had just posted my loved one the same way my brother just posted his girlfriend for his birthday. I didn’t expect it to explode like it did.

Almost immediately my manager called me. She said, “Nic, what is this? We had no idea. She was in panic mode, saying, “You never mentioned it.” Was it an accident? We can reverse it. I had never talked about my love life with her, which I only realized then. It wasn’t that I was hiding who I was – I just tend to keep relationships private. Other people in my life were also surprised. At one point I was like, “Damn, I never told Uncle Ricky I was gay? Have we never done that? It was funny to read these messages.

But overall the reaction was overwhelming – I had to quit Instagram for a while. I have anxiety sometimes, and it hasn’t helped. When I finally came back to Instagram, I realized the power of social media. People from all over the world contacted me to tell me how they felt seen from the posts. I had a lot of “thanks”. People felt that I had done something brave by sharing this on such a big platform.

As I read these answers, I realized that I wanted my future roles to speak to them. I a m them. They might admire me because of my profession. But really, I stand among them. I stand on the shoulders of the community of people who look like and love me like me who came before me. I campaign for future generations, so that they live in a more inclusive and tolerant space, through my work.

So thankful that I can do that in season six of Sugar queen. Designer Ava DuVernay wanted to talk about black male homosexuality through my character, Micah. She asked me to hold her hand throughout this process to make sure we were telling a story that we could both be proud of and that was informed by my own experience as a queer black man.

The conversation we have on Sugar queen is more than a juicy, gossipy story where Micah kisses a boy. It’s not that. It’s asking, “How are black men allowed to love each other in America?” “

Much of Micah’s learning mirrored mine. We are only two years apart. When I think back to the first season of Sugar queen, I see this doe-eyed character who doesn’t know what’s going on. At the same time, Nic was entering Hollywood and was on sets for the first time and had the same doe-eyed expression. Now when I watch Micah’s growing storylines, I feel like I have more of my say as an actor – and I can use Sugar queen to talk about what matters to me.

queen sugar - ep 605

Pass Bolen

The last season of Sugar queen is particularly significant because the representation in art is what helped me understand my own sexuality growing up. When I was 10 years old, I appeared in The Lion King on Broadway, my very first job. I was part of a host of black artists. Behind the scenes, I encountered my first memorable example of queer representation, without realizing it. Something drew me to certain performers, who I now realize were queer. I was like, “Oh, I think I’m like Jeremiah. I think I’m like Clifton and Jason.” They were in a safe space, able to be who they were and to support themselves by doing what they loved. The Lion King opened my eyes to a possible life for me.

When I was 17, I was part of queer art. I worked with Tarell Alvin McCraney, the screenwriter of Moonlight and OWN David made the man, for his coming of age game Choir boy. It was my first time doing queer art with other queer black men. When I must have missed my high school prom, the actors threw me a fake and gave me books by queer and black authors. I felt so strengthened and seen.

t

A young Nic Ashe.

Nicolas ashe

Yet even as I became clearer in my understanding of my identity, I took my time to actually express it. I was very lucky to have a superhero from a mom who saw these pieces of me but didn’t rush to name them. She never forced me to “go out”. But in an effort to connect with me, to let me know we live in a safe space, she should tell me about all gay thing happened. She would be like, “Well you know RuPaul’s Drag Race. You never watched RuPaul’s Drag Race? ”I’m like,“ No, mom. ”Anything gay, she would just have to tell me.

Then one day, on a car ride near our house on Long Island as a late teenager, she told me about another one of those “gay things.” I forgot what, exactly – something she had looked at on the news. I became exasperated with how heavy it was. I was like, “Well, you know I’m gay.” She replied, “I know, but I’m not talking about you. I’m talking about this other thing.” She just kept talking about it, seamlessly.

After opening up to my mom in this relaxed exchange, our relationship blossomed. There were no walls between us. She could tell me about her romantic experiences, and me too. I am so happy that I was able to share this level of intimacy with her. She passed away in October 2020 I know this would be something I would be remiss for not letting her see all of me.

Even though it was on a whim, this is what I did by sharing the post last summer – I shared everything.

Even though it was on a whim, this is what I did by sharing the post last summer – I shared everything. When I started Sugar queen in 2016, i felt i had to hide my homosexuality, the part of me that made me so special to my friends and loved ones. I felt it was something I had to keep a secret.

Now I feel more at peace with myself. I haven’t lived my whole life to see how the decision to exit will influence the rest of my career, but I know karma will kiss me for it and the universe as a whole will reward my authenticity. There was certainly a fear that I was being genuine, but ultimately I want to live honestly. I use my platform to advocate for people who look like me and love me.

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