American Songwriter – Tina Mania http://tinamania.com/ Thu, 22 Jul 2021 03:26:26 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://tinamania.com/wp-content/uploads/2021/07/icon-1-150x150.png American Songwriter – Tina Mania http://tinamania.com/ 32 32 Lorde releases second track “Solar Power” “Stoned at the Nail Salon”, with Phoebe Bridgers, Clairo and Jack Antonoff https://tinamania.com/lorde-releases-second-track-solar-power-stoned-at-the-nail-salon-with-phoebe-bridgers-clairo-and-jack-antonoff/ https://tinamania.com/lorde-releases-second-track-solar-power-stoned-at-the-nail-salon-with-phoebe-bridgers-clairo-and-jack-antonoff/#respond Wed, 21 Jul 2021 19:04:31 +0000 https://tinamania.com/lorde-releases-second-track-solar-power-stoned-at-the-nail-salon-with-phoebe-bridgers-clairo-and-jack-antonoff/ Update his Instagram page reading “The themes are always the same, a return to innocence, the mysteries of blood, an itch for the transcendent,” was the perfect precursor to Lorde’s next installment. The second single of 12 tracks off Solar energy, released on August 20, “Stoned at the Nail Salon” finds Lorde in a more […]]]>

Update his Instagram page reading “The themes are always the same, a return to innocence, the mysteries of blood, an itch for the transcendent,” was the perfect precursor to Lorde’s next installment.

The second single of 12 tracks off Solar energy, released on August 20, “Stoned at the Nail Salon” finds Lorde in a more vulnerable and nostalgic state compared to her previous Primal Scream-tinged single, singing Because all the music that you loved at sixteen, you’ll grow up And whenever they change, everything will come back … Spend all the evenings you can with the people who raised you Because every time they will change, everything will come, and supported by Phoebe Bridgers, Clairo and Jack Antonoff, who produced the album.

“That’s about all Jack … [he] just start playing it all, playing bass, playing nice guitar, then I arranged all the vocals, ”Lorde says Zane Lowe during an interview on Apple Music. “It’s definitely one of the quietest, most introspective, and most internal moments on the record.”

She added: “It’s about the passing of time, which is a weird thing to think about and be in conversation. But thinking of me at 16, my aging parents, all those big, heavy things that really confront my mortality, I break up when I think about this song, but I’m proud of it.

While “Solar Power” has fused the most natural elements, beach, lightness and sun, as focal points, “Stoned at the Nail Salon” is a weaker vortex, where Lorde has found a “dumping ground” for her. many thoughts.

“This song is kind of a rumination about getting old, settling into domestic life and wondering if you’ve made the right decisions,” Lorde said in a statement. “I think a lot of people are starting to ask these questions at my age, and it was very heartwarming for me to write them down, hoping they would resonate with others as well.”

His third album, after its release in 2017 Melodrama, also produced by Antonoff, Solar energy is “a celebration of more natural elements,” Lorde said. “The album is a celebration of the natural world, an attempt to immortalize the deep and transcendent feelings I experience when I’m on the outside,” she said. “In times of grief, sorrow, deep love, or confusion, I look to the natural world for answers. I have learned to breathe out and tune in. That’s what s. ‘has passed.

Stay true to the natural and enduring theme of Solar energy, the album will be available as The Music Box, an eco-friendly, disc-less format featuring extensive visual content including exclusive photos, handwritten notes and a card to download the album, two bonus tracks, and more.

Scheduled for a world tour in 2022, Lorde made the Solar laps, performing recently on The Late Show with Stephen Colbert and ready to join Late night with Seth Myers for a day of drinking and a performance of the new single, with Antonoff, on July 21.

“Hope you like this song and this side of the album,” Lorde said in his bulletin. “And I hope if you’re someone who’s also used to tiptoeing to a deep thought and then doubting yourself or breaking up with yourself, you know you don’t. ‘re not alone. “



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Bringing Back Upside Down: Interview with Scout Durwood https://tinamania.com/bringing-back-upside-down-interview-with-scout-durwood/ https://tinamania.com/bringing-back-upside-down-interview-with-scout-durwood/#respond Tue, 20 Jul 2021 22:07:17 +0000 https://tinamania.com/bringing-back-upside-down-interview-with-scout-durwood/ Listen and subscribe at BiB We had the pleasure of interviewing Scout Durwood in Zoom video! Blue Élan Recording artist Scout Durwood recently released Comedy Electronica Vol. 2, his third digital video series, with an accompanying EP. The EP is associated with a series of music videos starting with the April premiere of “Millennial Malaise”. […]]]>

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We had the pleasure of interviewing Scout Durwood in Zoom video!

Blue Élan Recording artist Scout Durwood recently released Comedy Electronica Vol. 2, his third digital video series, with an accompanying EP. The EP is associated with a series of music videos starting with the April premiere of “Millennial Malaise”.

Scout Durwood’s debut studio album, TAKE ONE THING OFF, was released via Blue Élan Records with a 22-episode digital series of the same name, itself nominated for Best Independent Series at the 2019 Streamy Awards. Scout starred in comedy scripted from MTV, MARY + JANE, FUNNY GIRLS from Oxygen, and has its own 30 minute comedy special available on the Epix series, UNPROTECTED SETS. Scout is also an accomplished cabaret singer and nationally touring comedian. 2020 saw the release of Scout’s COMEDY ELECTRONICA VOL. 1 with five clips.

www.scoutdurwood.com

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The SIMS Foundation grows to support the mental well-being of all music professionals https://tinamania.com/the-sims-foundation-grows-to-support-the-mental-well-being-of-all-music-professionals/ https://tinamania.com/the-sims-foundation-grows-to-support-the-mental-well-being-of-all-music-professionals/#respond Tue, 20 Jul 2021 20:40:25 +0000 https://tinamania.com/the-sims-foundation-grows-to-support-the-mental-well-being-of-all-music-professionals/ We have all idolized a particular band or singer whose music spoke to us. We went to their concerts, played their music, and constantly searched for more content. This adoration leads us to believe that musicians can exist in their own societal category, separated from the average viewer or pop-rock fan. Yet putting these artists […]]]>

We have all idolized a particular band or singer whose music spoke to us. We went to their concerts, played their music, and constantly searched for more content. This adoration leads us to believe that musicians can exist in their own societal category, separated from the average viewer or pop-rock fan. Yet putting these artists on a pedestal makes us forget that musicians are not infallible. Musicians need a support system, like you or me, but one that meets their unique needs. Today, this specific support mechanism is the SIMS Foundation.

The SIMS Foundation is an Austin, Texas-based non-profit organization that provides affordable mental health and addiction recovery services to musicians, dependents of musicians, and other industry professionals. Founded in 1995, their mission is to “destigmatize and reduce mental health and addiction issues, while supporting and enhancing the well-being of the music community as a whole”.

To better understand this non-profit organization and its growing importance, American Songwriter met with one of the co-founders, Alejandro Escovedo, and current Managing Director, Patsy Bouressa, to discuss the history and future of SIMS.

Escovedo is a musician himself, a legendary singer-songwriter who has been touring since the 1970s. He grew up in a large family of musicians in San Antonio, Texas, and began his career embracing punk rock. After playing for the Nuns, he joined Rank and File and then the True Believers. Escovedo also worked on his solo career along the way and released a total of 16 studio albums. Overall, Escovedo was born to be a musician – there are melodies embedded in his soul. But if music animates and fascinates him, it also tries to tear him apart.

“I didn’t sell a lot of records,” Escovedo said honestly, “but I made records that really expressed something that I really had to say. So what I’m saying is as a touring musician we made our money [by] tour.”

“And the work is hard. It’s so difficult… you are always told no. “This song has no place on record,” “you’re not good enough,” “you don’t sing well enough,” “you don’t play well enough,” Escovedo explained. “The sacrifice that musicians make and the life of a traveling musician is rarely understood by the fan. Most people don’t really think about the time, effort, and psychological wear and tear of a traveling musician.

“Being a traveling musician, the pitfalls are there, be it alcohol, drugs, women. The hours are long. You don’t come home with a lot of money, ”he continued. “There are a lot of things that put a lot of strain on your relationships with people because you are so gone. And while you make music and try to make a living for someone at home [who is] keep the fire in the house, take the children to school, do the dishes, pay the rent, [etcetera]- it leads to a lot of relationship dysfunctions and a lot of broken relationships.

As Escovedo delved into the darker side of the music industry, he fondly recounted how his life changed in the early 1990s. “My wife committed suicide. I had a six-month-old girl, who is now 29, and my daughter Maya, nine. It was obviously a very, very important and tragic blow for my life and for my children. So I tried to raise them myself and be a musician.

In the midst of his unimaginable grief, Escovedo’s life dragged on and he did all he could to support his family.

Then, in 1995, Escovedo got a call about the family of another musician who was floundering in his own grief. Don Harvey and Wayne Nagel were calling about the suicide of Sims Ellison, the prodigious songwriter and bassist of the band Pariah. Together with Don Ellison, Sims’ father, they wanted to make sure that the musicians and their families were better supported. They have strived to support musicians struggling with mental health or addiction issues.

With the addition of attorney Walter Taylor, the SIMS Foundation was established that year in honor of Sims Ellison. Sims had lost his fight with depression but inspired others to fight.

“We started with $ 5,000, which seemed like a lot of money back then. Immediately we were inundated with people who needed help because we chose to help not only the musicians but their families, anyone who depended on the musician was included, ”Escovedo said.

In 1995, and today, the SIMS Foundation is the only non-profit of its kind. No other organization offers mental health services specifically to musicians and their dependents. Today, in the wake of a global pandemic, SIMS seeks to develop itself as the gatekeeper of the music industry.

“We really moved away from a reactionary organization, which we had historically been, to become a much more proactive organization,” Patsy Bouressa told American Songwriter.

“[We are] really focused on wellness and trying to get that message out to people before they get into crisis. That way, maybe we could get someone to advise rather than call us when it all falls apart completely and they need a much higher level of care. We have been very successful in doing this through our community trainings that we offer to anyone in the music industry… Really just to educate people that it is okay to ask for help, even if you do. just have a little trouble. It’s good to talk about these issues.

Bouressa is an impressive mental health advocate and after obtaining her Masters of Social Work from the University of Texas at Austin, she worked with different organizations to promote mental wellness. In her current role at SIMS, Bouressa conveys a message of compassion.

“There is no human on the planet who has not struggled emotionally at some point. We all struggle at some point. Part of the human condition is hitting times in your life when things are untenable. Emotionally, you are unregulated and find it difficult to be just human. And when we talk about the mental health side, we are talking about emotional well-being. There is nothing wrong with finding a therapist to help you get through this struggle, ”she said.

“The other thing is [that] if people do have a diagnosable disorder, it is no different having a chronic physical condition. We don’t stigmatize people with high blood pressure, we don’t tell them it’s their choice and it’s a character flaw, but we do for people who have depression or substance use disorders. . This is what I like to talk about – these are chronic illnesses that are no different from chronic physical illnesses, and we have to start educating ourselves to understand that this is a real fact … these are chronic illnesses that can be managed, but often are very difficult to manage by hitting it and finding it out on your own.

SIMS offers a variety of programs and courses to support this message and struggling musicians. Bouressa explained that SIMS has modules that provide education on mental health and how to recognize mental health issues in others. They also offer a module called “Substance Use Recovery 101” which debunks myths and supports people in the recovery process. Additionally, SIMS works with a non-profit organization called Communities for recovery who trains music industry professionals to administer the drug that helps someone who has just overdosed.

SIMS offers a variety of other programs that support the well-being of industry professionals and continues to expand its reach.

Bouressa concluded our conversation by describing a world famous musician that SIMS has helped recover from alcoholism through their programs. She stressed that their work is job. Musicians and their families are healthier thanks to SIMS.

Donate to the SIMS Foundation here, and support the launch of their Founder’s Challenge here. You can also send a “SIMS” SMS to 44321. The Founder’s Challenge brings SIMS to a national stage and opens the door to significant geographic expansion.


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Bringing it back inside out: interview with Joshua Radin https://tinamania.com/bringing-it-back-inside-out-interview-with-joshua-radin/ https://tinamania.com/bringing-it-back-inside-out-interview-with-joshua-radin/#respond Tue, 20 Jul 2021 03:19:08 +0000 https://tinamania.com/bringing-it-back-inside-out-interview-with-joshua-radin/ Listen and subscribe to BiB We had the pleasure of interviewing Joshua Radin in Zoom video! A song tames and calms even the roughest seas. After sixteen years, eight albums and hundreds of shows, Joshua Radin still treats music as an antidote to all evil. The Los Angeles-based singer and songwriter, who sells gold, finds […]]]>

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We had the pleasure of interviewing Joshua Radin in Zoom video!

A song tames and calms even the roughest seas. After sixteen years, eight albums and hundreds of shows, Joshua Radin still treats music as an antidote to all evil. The Los Angeles-based singer and songwriter, who sells gold, finds healing between waves of acoustic eloquence and wool-tinted Americana storytelling. On his ninth feature film The ghost and the wall [Nettwerk], the troubadour continues a cycle of catharsis intended to be shared among all receptive hearts.

Since 2004, it has touched countless listeners with palpable transparency. As a result, he has sold over a million records, generated over a billion total streams and won a gold plaque for the single “I’d Prefer Be With You”. Landing north of 150 cinematographic, television and commercial synchronizations, his voice travels with the times. Among many highlights, First Ladies Michelle Obama and Dr. Jill Biden personally selected “Brand New Day” for an advertisement in support of the troops. In addition to memorable performances on Ellen, Tonight’s show, Jimmy Kimmel Live!, Conan, and Today’s show, he famously serenaded avowed super fan Ellen DeGeneres and Portia DeRossi at their wedding. Beyond sold-out shows on four continents, he has also performed alongside Ed Sheeran, Sara Bareilles, Ingrid Michaelson, Sheryl Crow, Tori Amos, Imogen Heap and The Script. Additionally, he remains a committed philanthropist, supporting charities such as Little Kids Rock and North Shore Animal League America (NSALA), among others.

After his return from a European tour in support of his 2019 album Here and nowJoshua had originally planned to bend over, write and record a new album.

Nevertheless, the circumstances of the global pandemic complicated the plan …

This is where producer Jonathan Wilson [Father John Misty, Conor Oberst, Dawes] come. A 30-minute phone conversation later, Joshua and Jonathan get down to The ghost and the wall remotely. Although they are both located in Southern California, they chose to transfer files back and forth, creating the entire drive via wire. Jonathan laid down the instrumentation in Topanga Canyon and Josh cut the vocals in the Hollywood Hills. In a month, they had completed ten songs.

He paved the way for the album with the single “Better Life”. On a discreet acoustic guitar, singing voices detail the journey of “An immigrant coming to this country and seeing the Statue of Liberty for the first time. Folk picking and muffled delivery relay the anguish of the search for “the one” on “Make It Easy”.

Then there is “Less ghosts”. A personal favorite, Joshua comes to a revealing achievement cemented by confessional lyrics and soft tones.

Ultimately, Joshua finds a way to heal again on The ghost and the wall.

We want to hear from you! Please send an email to Tera@BringinitBackwards.com.

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Singer-songwriter Koe Wetzel to perform at Tuscaloosa Amphitheater on October 15 https://tinamania.com/singer-songwriter-koe-wetzel-to-perform-at-tuscaloosa-amphitheater-on-october-15/ https://tinamania.com/singer-songwriter-koe-wetzel-to-perform-at-tuscaloosa-amphitheater-on-october-15/#respond Mon, 19 Jul 2021 21:59:53 +0000 https://tinamania.com/singer-songwriter-koe-wetzel-to-perform-at-tuscaloosa-amphitheater-on-october-15/ Country-rock singer-songwriter Koe Wetzel will perform at the Tuscaloosa Amphitheater on October 15, according to Birmingham-based Red Mountain Entertainment. An opening act will be named later for the 7 p.m. show. Ropyr Madison Koe Wetzel was born to a country singer on tour in East Texas who was bringing her young son; he sang for […]]]>

Country-rock singer-songwriter Koe Wetzel will perform at the Tuscaloosa Amphitheater on October 15, according to Birmingham-based Red Mountain Entertainment. An opening act will be named later for the 7 p.m. show.

Ropyr Madison Koe Wetzel was born to a country singer on tour in East Texas who was bringing her young son; he sang for the first time on stage at the age of 6. The name he bears is said to be a tribute to outlaw David Allen Coe.

He bought a guitar when he was 12, but put it aside for sports until college, when his love of football waned. His band Koe Wetzel and the Konvicts released an EP in 2012, “Love and Lies”, after which they toured extensively in the Southwest. Although he continues to tour with a band, they have dropped the name “Konvicts”.


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Seth James renders unreleased JJ Cale song “Raisin ‘Kane” ahead of new LP “Different Hat” https://tinamania.com/seth-james-renders-unreleased-jj-cale-song-raisin-kane-ahead-of-new-lp-different-hat/ https://tinamania.com/seth-james-renders-unreleased-jj-cale-song-raisin-kane-ahead-of-new-lp-different-hat/#respond Mon, 19 Jul 2021 18:26:13 +0000 https://tinamania.com/seth-james-renders-unreleased-jj-cale-song-raisin-kane-ahead-of-new-lp-different-hat/ At first glance, Seth James – outfitted in a cowboy hat and a native Texas twang – fits into a universal archetype. Looking at an album cover, one would expect to hear something akin to the epitome of George Strait’s’ 90s country. But growing up away from anywhere on his family’s cattle ranch in King […]]]>

At first glance, Seth James – outfitted in a cowboy hat and a native Texas twang – fits into a universal archetype. Looking at an album cover, one would expect to hear something akin to the epitome of George Strait’s’ 90s country. But growing up away from anywhere on his family’s cattle ranch in King County, James had to dig for the musical influence that other teenagers have naturally encountered on TV or radio over the years. 90.

James, who jokes, “There’s no radio on a horse,” went looking for songs that sounded like they came from people who worked as hard as him. Here he found Muddy Waters and Lightnin ‘Hopkins, then Booker T. & the MGs, NRBQ. There was a groove in Delbert McClinton, Joey Lee, Frankie Miller that drove him to what he thinks is misconceived as “Texas Soul”.

“Living here with the background that I have was always confusing for someone who had never heard me because it was rather confrontational. A lot of times people listen with their eyes, ”James told American Songwriter over the phone. “But to me, Delbert McClinton was the most Texan thing I could think of next to Bob Wills. And, in my mind, there wasn’t a huge difference.

Reconstructing his lived experience, superimposed on his transcendent influence, James is preparing his third full album, Different hat. Due on August 27 via Tiny Ass Records, the record begins at the bottom of the well he drank from while digging deeper into the blues world. Produced by Kevin McKendree and recorded live with elite players, Different hat portrayed James as a torchbearer, claiming both the perpetuation and evolution of an endangered musical style.

“I always want to hear more of this music, and there isn’t a lot of it being made these days,” says James. “No one crowned me as the torchbearer, but it’s important to me that I carry on the sonic tradition. I don’t take myself too seriously, but I do take this part seriously.

James feels like he’s not “plugged into the music business” in a way that makes him come up with a lot of songs for his recording. But through her manager, Sam Siefert, the artist was connected to the JJ Cale estate and introduced “Raisin ‘Kane” – an original that was never cut or released, not even by the caption she -even. Featured today (July 19) ahead of the new album, “Raisin ‘Kane” features Lee Roy Parnell on slide guitar, lots of brass and lots of swing.

“I don’t know if you’ve heard JJ’s demos, but they sound a lot like his records – usually recorded at home with a drum machine from an old Lowery organ. The song was really simple, and nothing was missing at all. I couldn’t understand why no one had ever cut it.

Hearing “Raisin ‘Kane” for the first time, he said, “made you feel like you’ve found gold.” James feels the great honor of highlighting a song from Cale’s legendary catalog, but also a personal connection to the late storyteller.

“I don’t know his process, and I won’t pretend to know it. But it doesn’t seem like he would think too much and change himself. He looks like the kind of guy who would sit down and write a song without worrying about whether someone is going to understand exactly what he was talking about – that’s their job, ”says James. “And for me, if I want to sing someone else’s song, the language and the words have to match the way I speak. Even though I didn’t know JJ, it seems to me that we speak the same language.

Seth James | Different hat | Due Aug 27 via Tiny Ass Records

His 2009 solo album This kind of man was acclaimed by music. The following year, James co-founded the roots rock group, The Departed, with his friend Cody Canada. James returned to his solo career three years and two albums later, hungry for that unique sound he had worked so hard to find.

Now, at “40 something”, James feels like he’s finally landed on something that feels like an authentic fusion of a non-linear experience. With “Raisin ‘Kane”, Different hat includes another Cale composition, “Wish I Had Not Said”. His rendition of the song, first released on Cale’s album in 1981, Nuances, features the voice of his wife, Jessica Murray, which adds to the soul-funk influence between Memphis and Muscle Shoals.

Another cover – “Ohoopee River Bottomland” by Larry Jon Wilson – follows suit, suggesting James’s responsibility to pass on the regional traditions that have shaped his art. With the utmost respect, he blends centuries-old traditions both in a borrowed heritage and original tracks to respond to a modern moment. The ease with which it gets here is the product of decades of means intentionally designed to pass on the stories James hopes to pass on to previous generations.

“Some people make their first record when they’re young and sound like them right off the bat. I don’t know how it goes, but it hasn’t happened to me, ”says James. “And so being here, it’s suddenly easier to put myself, my background and my experience in my music because I’m not trying so hard to do something else. It’s easier for me to understand my role, what I am.

In the past, the artist avoided sharing certain experiences or ways of speaking for fear that the listener would not understand or identify with the feeling. Over the years, James has discovered that it is not the specific content or details but rather the vulnerability that draws a listener into music with an open heart.

He adds, “There is a lot of comfort and ease in making music once you get to a place where you just know who you are as an artist.”

Listen to an exclusive Seth James cover of JJ Cale’s unreleased track, “Raisin ‘Kane,” below. His new album, Different hat, is due August 27 via Tiny Ass Records.


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Bringin ‘it Backwards: Interview with Jesse Leach of Times of Grace / Killswitch Engage https://tinamania.com/bringin-it-backwards-interview-with-jesse-leach-of-times-of-grace-killswitch-engage/ https://tinamania.com/bringin-it-backwards-interview-with-jesse-leach-of-times-of-grace-killswitch-engage/#respond Fri, 16 Jul 2021 21:17:02 +0000 https://tinamania.com/bringin-it-backwards-interview-with-jesse-leach-of-times-of-grace-killswitch-engage/ Listen and subscribe to BiB We had the pleasure of interviewing Jesse Leach of Times of Grace and Killswitch Engage on the Zoom video! Seething depths of plaintive grief, austere self-examination and moving soundscapes unfold in TIMES OF GRACE, with flashes of cathartic power and an undercurrent of insistent urgency. It is a meditation on […]]]>

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We had the pleasure of interviewing Jesse Leach of Times of Grace and Killswitch Engage on the Zoom video!

Seething depths of plaintive grief, austere self-examination and moving soundscapes unfold in TIMES OF GRACE, with flashes of cathartic power and an undercurrent of insistent urgency. It is a meditation on absence, sorrow, perplexity and rebirth, summoned with poignant authenticity.

The Anthem of a Broken Man arrived in 2011, nearly a decade after Leach’s release from Killswitch Engage, the pivotal New Wave Of American Heavy Metal band that the duo co-founded with friends in 1999. TIMES OF GRACE debut music materialized during Dutkiewicz’s difficult recovery from an almost crippling back. surgery. A collection of songs that the multi-instrumentalist and producer knew would suit his old and future bandmate. The acclaimed debut album by BBC Music, Aquarius, and Rock sound. He purposely turned expectations upside down, with shoegaze and ambiance flourishes in his songs.

Now, ten years after TIMES OF GRACE first surfaced, comes the follow-up.

Comfortably stretched beyond the parameters of the above, without sacrificing an ounce of integrity, TIMES OF GRACE weaves between pensive rock, heavy, midtempo, riffs and atmosphere. The duo’s vocal interaction creates a rich, dense, and captivating concoction, fueling various soul-dark nights journeys and spirit-expanding excursions into nature. Songs of loss and separation benefits immensely from the performance of former Envy On The Coast drummer Dan Gluszak, who toured behind the debut album and is now an official member of the band.

TIMES OF GRACE’s sprawling second album channels a dissonant, menacing and relentless depression. A bewitching romanticism and a deep spiritual desire collide in a beautiful melancholy. It is a diverse but singular statement, like the work most appreciated by classical groups. Songs of loss and separation, insisting in his blues, bleeds distortion and emotion, like a nerve, bare.

We want to hear from you! Please send an email to Tera@BringinitBackwards.com.

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#podcast #interview #bringinbackpod #TimesOfGrace #KillswitchEngage #JesseLeach #zoom #aspn #americansongwriter #americansongwriterpodcastnetwork

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Iggy Azalea considers music industry disruption over controversy https://tinamania.com/iggy-azalea-considers-music-industry-disruption-over-controversy/ https://tinamania.com/iggy-azalea-considers-music-industry-disruption-over-controversy/#respond Fri, 16 Jul 2021 20:19:25 +0000 https://tinamania.com/iggy-azalea-considers-music-industry-disruption-over-controversy/ Australian rapper Iggy Azalea has announced that she plans to take a hiatus from the music industry for a few years after her next album, End of an era, decrease in August. This statement comes after the recent controversy over Azalea’s black fishing. Azalea took to twitter to make the announcement, stating, “‘End of an […]]]>

Australian rapper Iggy Azalea has announced that she plans to take a hiatus from the music industry for a few years after her next album, End of an era, decrease in August. This statement comes after the recent controversy over Azalea’s black fishing.

Azalea took to twitter to make the announcement, stating, “‘End of an Era” is so special to me because after releasing my album next month, I’m going to take a few years to focus on other creative projects and things that I feel passionate and inspired by, beyond music. I am delighted that you see different sides of me in the future.

Azalea in a later tweet, continues: “Shifting my energy and focusing on what excites me the most is what suits me best and I hope you will continue to support all of the creative projects that I am doing! I really love this album and I just want my fans to enjoy it with me. I hope to see many of you on tour!

The next End of an era, Azalée’s third studio album, does not yet have a specific release date. Azalea’s most recent single released on July 2, titled “I Am the Strip Club,” features artist House of Balmain and is a catchy rap song intended to be played in dance clubs. Along with the release, Azalea released a clip in which she takes her party on a trip, with a fiery dance routine taking place in the back of a giant 18-wheeled truck while it’s on the road.


Watch Iggy Azalea’s latest single below.



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John Mayer releases new ’80s-tinged album’ Sob Rock ‘in tandem with 2022 tour plans https://tinamania.com/john-mayer-releases-new-80s-tinged-album-sob-rock-in-tandem-with-2022-tour-plans/ https://tinamania.com/john-mayer-releases-new-80s-tinged-album-sob-rock-in-tandem-with-2022-tour-plans/#respond Fri, 16 Jul 2021 19:15:36 +0000 https://tinamania.com/john-mayer-releases-new-80s-tinged-album-sob-rock-in-tandem-with-2022-tour-plans/ During the darkest days of the pandemic, John Mayer retreated to the heartwarming sounds of the 1980s. At 43, the guitar virtuoso who grew up on radio and MTV leaned into the music that shaped his art from an early age. Today (July 16) via Columbia Records, Mayer shares sob rock. His eighth studio album […]]]>

During the darkest days of the pandemic, John Mayer retreated to the heartwarming sounds of the 1980s. At 43, the guitar virtuoso who grew up on radio and MTV leaned into the music that shaped his art from an early age. Today (July 16) via Columbia Records, Mayer shares sob rock. His eighth studio album captures the sound signature of the era, marrying soft rock with shimmering synthetics.

Under the direction of iconic producer Don Was, Mayer masterfully crafted the desired melancholy retro vibe the album cover would capture so perfectly.

Almost 20 years after his first album Room for squares, its new version, sob rock, is Mayer’s first album in four years. While returning to his solo art, he remains determined to tour with Dead & Company. Following his LP existential crisis, The search for everything, in 2017, and his surprisingly American album, Born and raised in 2012, sob rock suggests a continuation of Mayer’s unlimited musical exploration.

sob rock opens with a well-suited synth-rock single, “Last Train Home”, featuring Maren Morris in backing vocals. Nostalgia permeates songs like “New Light”. As he has done several times before, the song is poetically about unrequited love with lines like Push 40 in the friend zone. But this time around, he’s doing it while channeling his subconscious influences from Santana.

Mayer told Apple Music’s Zane Lowe in an interview that he never wanted to become an artist “who runs out of paint colors and starts doing the same songs over and over again.”

He added: “I’m only interested if I can put new paintings on the canvas,” he said. “And my way of doing it then was: literally no one is looking. This one is called sob rock because you never would have imagined that was the name of the disc.

On release day, Mayer also confirmed dates for a 2022 North American tour in support of the LP. The extensive excursion will begin at the Times Union Center in Albany on February 17. The guitarist will then make stops in Philadelphia on February 18, New York on February 20, Washington DC on February 23, Pittsburgh on February 25 and Toronto on February 27. March dates for Mayer’s sob rock The tour includes stops in Belmont Park (New York), Boston, Las Vegas, Los Angeles, San Francisco, Seattle, Salt Lake City, and Denver.

Then the tour continues to Sunrise, Florida on April 2 and Tampa on April 5. From there, Mayer will hit Atlanta on April 8, Charlotte on April 11, Nashville on April 13, Austin on April 20, Houston on April 23, and Dallas on April 24. The Sob Rock tour is scheduled to end at the United Center in Chicago on April 28.

Fans will soon be able to register to access pre-sales through its website until Tuesday, July 20. Listen to John Mayer’s new album, sob rock, here.


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Backyard Tire Fire is back with a new single and more surprises to come https://tinamania.com/backyard-tire-fire-is-back-with-a-new-single-and-more-surprises-to-come/ https://tinamania.com/backyard-tire-fire-is-back-with-a-new-single-and-more-surprises-to-come/#respond Wed, 14 Jul 2021 22:18:38 +0000 https://tinamania.com/backyard-tire-fire-is-back-with-a-new-single-and-more-surprises-to-come/ Backyard Tire Fire was formed 20 years ago in Asheville, NC, and after a ten-year hiatus, the band is back together and ready to rock. The alternative country group, led by acclaimed singer / songwriter Edward David Anderson, will be back in September with their first new album in 11 years, Black earth, blue sky. […]]]>

Backyard Tire Fire was formed 20 years ago in Asheville, NC, and after a ten-year hiatus, the band is back together and ready to rock. The alternative country group, led by acclaimed singer / songwriter Edward David Anderson, will be back in September with their first new album in 11 years, Black earth, blue sky. They are also eager to resume performing live and will be hosting their second annual Black Dirt Music Festival in Bloomington, Ill., Led by Wilco on September 11.

The band’s new single, “Little Wren”, is due out tomorrow (July 15), and it’s the song Anderson credits as the inspiration to put the band back together after a full decade. It captures a slow paced and relaxing country lifestyle where birdsongs inspire country songs.

Singer Edward David Anderson spoke with the American songwriter to share the story of the single, his personal journey to reunite and reunite the group. From 200 miles on the Appalachian Trail to a little bird singing to him every morning for a week, Anderson’s musical and personal revelations flow from a common entity: nature.

You can listen to the exclusive premiere of “Little Wren” here now.

American songwriter: Hi Ed! Where are you currently based?

Edouard David Anderson: We [my wife and I] live outside of a small town called Havana and there are only 3600 people, and it sits right on the Illinois River. We are about an hour southwest of Chicago. We kind of changed things… we were in the middle of the pandemic in Bloomington, Illinois and we have a baby girl, she is only 22 months old. During the pandemic, we decided we wanted to start trying to live in some sort of homestead. Now we have this five acre property with a garden, chicken coop, and trails. It’s a good place to raise this little girl for sure. And I feel like that’s the weird way the pandemic actually helped. I don’t think we could have looked for places to live with me touring and playing music as much as I usually do. But because we had all this downtime, we started looking at bits of property here and there.

AS: Everything about your rural lifestyle makes sense with the lyrics to “Little Wren” because it sounds like a slower, nature-connected type of life.

AED: It’s kind of interesting. I wrote this song while still living in our old home in Bloomington when my wife was pregnant. I would get up and go down the stairs and take some time out on the back porch and drink coffee. And this little bird kind of appeared out of nowhere. We were just hanging out, and it started singing this song and it kept coming back for a week. I was going down the stairs, and for a few days I played this song with the bird. But it was more of a city. You know, we used to live in Bloomington and we’re only a couple of small houses off the main road. And we lived next to the hospital where our daughter was born, so there were a lot of mermaids and it was kind of an urban scene. And then the place we just moved in is actually a certified bird and butterfly sanctuary. It’s just kind of weird that I wrote this song with this bird when I was still living in Bloomington, sort of in this urban area. And then a few months later, I record the song and I end up living in the bird sanctuary where literally the troglodytes are so numerous that I can hear them singing all day now. I think you can have a kind of mood of the song, a very happy mood.

AS: Tell me how the single was born in this new framework?

AED: The song “Little Wren” has been put together in a strange way. Not all of the recording was done in the general way we have made music before. The whole new album was a pandemic recording and we did it in isolation; we were never in the same room together. It seems to be getting more normal these days in recording, but I’ve never made music like this. So that was kind of a methodical way to put it in place. All that [the normal recording process] was kind of removed this time. It was like, ‘Okay, well, we’re going to put this together the only way we can because we can’t go into the same room together.’ This is all part of the pandemic in a strange way. I found this beautiful new place to live with my family, and I think we made a pretty cool recording of it. Just because of the bad circumstances I think it turned into something pretty cool.

AS: The song almost foreshadowed your lifestyle now. You found joy there in a certain part of your day, and now that part of your day has become a part of your life.

AED: Which is strange because I’ve never really been a bird watcher. But now we have several feeders on our property and there are Eagles and it’s just amazing. My wife and I were actually hiking the Appalachian Trail [right before the move] and we spent a month there and did the first two hundred miles. This is where we kind of decided to have a child. We decided to take some time on the road, and I had a record in the box, and it was done. We were like, “Let’s take some free time and go for a hike and see how long we last on the TA. We would hike all day, through the mountains. We didn’t know what to do other than talk. So we talked a lot about having a child and it was a total metamorphosis for us. You know, we’ve gone from smoking Camel Lights and drinking a 12 PBR pack, being on the road. We just changed everything, it was on this trajectory. And so I reconnected with the band, Backyard Tire Fire. It seems like we were, at the time, kind of prepared for something bigger, and it just imploded… I lost touch with my little brother who was playing bass. And been through a lot. And I felt that after this transformation, I had to reconnect with my brother.

AS: Was it the single “Little Wren” that made you feel called to reconnect with the old band members?

AED: It occurred to me, “Wow, ‘Little Wren’ really has to be a Backyard Tire Fire song.” As in hindsight, when I think back to the songwriting, it sounded like Backyard Tire Fire from the start. You know, I’m pretty happy with how it turned out given the circumstances.

AS: Now that the band is back together, what’s the next step?

AED: We are having a music festival, the Black Dirt Music Festival in Illinois, on September 10-11 to celebrate the Castle Theater 10th anniversary; Wilco is the headliner! I think there’s a kind of specific sound that comes from the Midwest, so that’s the whole idea of ​​Black Dirt. And I really like Wilco. They were number one on the list to arrive at the headliner of the festival. I thought it would take a lot longer to get to the point where we could have a band like Wilco and develop this stuff a bit more than we’ve done this year, so it already looks like a huge success. We’re just excited to be doing the festival and releasing a new album around the same time. We saw the Castle Theater open 10 years ago and then shut down shortly thereafter, and now the festival is celebrating the theater’s 10th anniversary.


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